Matthias Gubler
b.1981, Republic of Korea
Seoul
@sukhyung_kang
Sukhyung Kang(b.1989~) accumulates traces upon the canvas through repetitive acts of drawing and erasing, revealing the temporality of painting through impulsive and spontaneous gestures. The layered and erased lines and colors do not settle into fixed narratives or forms, but instead embody a continuous movement between emergence and disappearance. Rather than meticulously planning a final outcome, the artist focuses on the instinctive act of “painting” itself, constructing compositions in which unrefined freedom and intense visual density coexist.
강석형(b.1989~)은 그리고 지우는 반복적 수행을 통해 화면 위에 흔적을 축적하며, 충동적이고 즉흥적인 제스처 속에서 회화의 시간성을 드러낸다. 겹쳐지고 삭제되는 선과 색은 특정한 서사나 형상을 고정하기보다, 생성과 소멸 사이를 끊임없이 왕복하는 과정을 표현한다. 작가는 결과물을 정교하게 계획하기보다 '그리기'라는 본능적 행위 자체에 집중하여 정제되지 않은 자유로움과 높은 시각적 밀도가 공존하는 화면을 구축한다.
CV
2015 — 2017 MFA Fine Art, Kingston University of Art, London, UK
2022 Galerie ERD, Seoul & Busan
2019 Arce Gallery, Seoul
2018 Gallery Dos, Seoul
2022 Galerie ERD, Busan
2021 Art Centre Art Moment, Seoul
2015 — 2017 MFA Fine Art, Kingston University of Art, London, UK
2022 Galerie ERD 갤러리 이알디, 서울, 부산
2019 Arce Gallery 아르세 갤러리, 서울
2018 Gallery Dos 갤러리 도스, 서울
2022 Galerie ERD 갤러리 이알디, 부산
2021 Art Centre Art Moment 예술의시간, 서울
Thitibodee Rungteerawattananon
b. 1985, Thailand
Bangkok, Melbourne
@thitibodee_r
Thitibodee Rungteerawattananon reinterprets rejection and silence within artistic institutions not as personal failure but as structural conditions, examining the power relations that operate within the canon of art history. By meticulously rendering rejection letters addressed to him through a hyperrealistic painterly approach, the artist undertakes an archival intervention that transforms fleeting digital notifications into enduring records. Through this practice, he critically questions who is allowed to speak and which narratives are permitted to circulate.
티티보디 룽티라와타나논은 예술 제도의 거절과 침묵을 개인의 실패가 아닌 구조적 조건으로 재해석하며, 주류 미술사 안에서 작동하는 권력 관계를 탐구한다. 작가는 자신에게 전달된 거절 편지들을 극사실주의 기법으로 치밀하게 재현함으로써, 찰나의 디지털 통보를 영구적인 기록으로 전환하는 아카이브적 개입을 시도한다. 이러한 작업을 통해 누가 발언할 수 있으며, 어떤 서사가 제도 안에서 유통될 수 있는지를 비판적으로 질문한다.
CV
2023 The art of rejection, Sol gallery, Melbourne, Australia
2019 THE AIR, artist's studio, Bangkok, Thailand
2025 FAILED, Bundoora Homestead Art Centre, Melbourne, Australia
2024 Thai Message, Soup on the Oil – Jimei x Arles International Photo Festival, Xiamen, China
2023 Far From Home, Chinese Museum Arts Collective – Collective Polyphony Festival (Testing Grounds), Melbourne, Australia
2023 FAILED, Footscray Community Arts Centre (Wyndham Art Prize Finalist), Melbourne, Australia
2023 FAILED, Gertrude Contemporary – Bundoora Homestead Art Centre, Melbourne, Australia
2023 Ghost – The Museum Is Dead and Desire Is Dead, Tanglin Shopping Centre, Singapore
2022 What Can Artist Do with Capitalism? (Failed on Tram Track), The Way We Talk (About It) – Brunswick Temporary, Melbourne, Australia
2022 What Can Artist Do with Capitalism? (Failed on Tram Track), Merri-bek Summer – Counihan Gallery, Melbourne, Australia
2021–2022 Statue Garden, ASEAN-RoK, Korea
2021–2022 Mass Art Project X JTAC, Jim Thompson Art Center Shop, Bangkok, Thailand
2020 Mass Art Project, Gallery Ver, Bangkok, Thailand
2018 Thai Message, Gallery Ver (Bangkok Biennial), Bangkok, Thailand
2017 Thai Message, MAIIAM Contemporary Art Museum, Chiang Mai, Thailand
2016 Thai Message – Dusadee + Dust + Lovers + Dead Ones, Chulalongkorn Art Center, Bangkok, Thailand
2013 What Can Artist Do with Capitalism? and Map Me, The Prince George Ballroom, New York, USA
2012 What Can Artist Do with Capitalism?, The Invisible Dog Art Center, Brooklyn, USA
2010 Thai Message (Unauthorized Exhibition), Tate Modern (Toilets), London, UK
2010 Ordinariness of Artist’s House: A Poetics of Dwelling, Meojaidee Gallery, Chiang Mai, Thailand
2009 See So(u)l Scene, Sol Art Space
2008 Politic and Environment Crisis, U.N.